š„ Short Film: Painted In Dust
āSome people look at this place and see a wasteland,ā he says. āThey might wonder why anyone would want to live out here. But I look out there and all I see is fun.ā
The road to Johnson Valley high desert passes through a few small towns. Smaller and smaller, until thereās just one store. And itās closed. There are a few homes outside of townā¦ then a few abandoned trailersā¦ then nothing at all. Beyond that, thereās the place Forrest calls home.
The Compound resembles a scene from Mad Max: a ramshackle outpost of scattered structures and curated debris. Forrest and his dad call it the āwhat-you-got constructionā style, inspired by the scavenger aesthetic of Baja, California.
Everything on this high-desert property has a story. Some from previous lifetimes when the property was an illegal grow operation. Others salvaged from back alleys of Huntington Beach or yard sales between here and nowhere.
Back in the āreal worldā of Huntington Beach, Forrestās dad Mike is a respected surfboard shaper. A humble priest of the sport, underpaid and wholly devoted. In an age of foreign pop-outs and Walmart foamies, Mike builds his boards entirely by hand, even doing his own glasswork.
Despite his longstanding reputation, itās a hard way to make a living. So their tumbledown shaping operation in the desert offers respite from the distractions, inflations and restrictions of the city. This is the Wild West. They come here between swells, to wait out the tides of life and disappear into the dust. Out here, hours from the ocean, he taught young Forrest to shape surfboards. And he bought him a bike. The rest was up to the desert.
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